Screening
Film screening
Fri, 25/4/2025, 7:00 PM
Action!
Philipp Fleischmann in the context of other film makers
Friedl vom Gröller
Paris Episoden, 2018, 23 min.
The quiet yet multifaceted film by Friedl vom Gröller weaves poetic portraits, urban fragments, and political moments into an unusual episodic film. A humorous framing through a feigned critique opens the viewer's eyen to the intricately connected structures of the work.
Albert Sackl
Im Freien, 2011, 23 min.
A film as a radical experiment: In a continous timelapse that brings nature and cinematic apparatus together, Im Freien (Outdoors) observes the nordic landscape with minimalist consistency over several months. Without cuts, but with the utmost precision, a space emerges between light, shadow, and structure, in wich humanity gradually comes into view. An impressive reflection on perception, cinematic space, and the relationship between nature and technology.
We would like to thank Martin Reinhart for programming of this film evening. Martin is a restless inventor of things and ideas. He can neither let go nor give up and therefore sometimes appears as an almost pathological optimist. The longing to create systems also informs his work, which is always about establishing or uncovering connections, the more unimaginable the better. More than filmmaking or writing - both of which he loves - discussions and lectures are his preferred media. Like jazz, they allow him to improvise and react to the unexpected and new. Currently he is teaching as a senior lecturer at the University of applied art's Art & Science department.
Philipp Fleischmann in the context of other film makers
Friedl vom Gröller
Paris Episoden, 2018, 23 min.
The quiet yet multifaceted film by Friedl vom Gröller weaves poetic portraits, urban fragments, and political moments into an unusual episodic film. A humorous framing through a feigned critique opens the viewer's eyen to the intricately connected structures of the work.
Albert Sackl
Im Freien, 2011, 23 min.
A film as a radical experiment: In a continous timelapse that brings nature and cinematic apparatus together, Im Freien (Outdoors) observes the nordic landscape with minimalist consistency over several months. Without cuts, but with the utmost precision, a space emerges between light, shadow, and structure, in wich humanity gradually comes into view. An impressive reflection on perception, cinematic space, and the relationship between nature and technology.
We would like to thank Martin Reinhart for programming of this film evening. Martin is a restless inventor of things and ideas. He can neither let go nor give up and therefore sometimes appears as an almost pathological optimist. The longing to create systems also informs his work, which is always about establishing or uncovering connections, the more unimaginable the better. More than filmmaking or writing - both of which he loves - discussions and lectures are his preferred media. Like jazz, they allow him to improvise and react to the unexpected and new. Currently he is teaching as a senior lecturer at the University of applied art's Art & Science department.
Event on the occasion of the exhibition Philipp Fleischmann. 13 Film Works